02 · Poetry

Poems &
collections

Poems have appeared in print since 2003 and include similar concerns with life, value, and objectification.

Texts · Documentary Poetics

Melanie Challenger holding leaves across her eyes, photographed by Chris Close
Cover of Galatea by Melanie Challenger
Cover of The Tender Map by Melanie Challenger, illustrated by Rose Ferraby

The work

2006 — in progress
  1. In progress

    Silex

    New work

    A work in progress.

  2. In progress

    Pyroclasm

    New work

    A work in progress.

  3. 2027

    Dialogues of the Body and the Soul

    Guillemot Press

    Forthcoming.

  4. 2016

    The Tender Map

    Guillemot Press

    A limited-edition collection illustrated by archaeologist and artist Rose Ferraby, mapping places onto emotional states. Ferraby received the 2017 Michael Marks Illustration Award for the book.

  5. 2006

    Galatea

    Salt Publishing

    A debut collection concerned with the body, loss, petrification and transformation. The work received a Society of Authors Eric Gregory Award in 2005; the collection was shortlisted for the 2007 Felix Dennis Prize for Best First Collection.

A poem

Everything visible is connected to the invisible.

Beyond all wounds with their memorial
Of kisses lie things unrealised as unrealisable,
The miraculous distance of incompleteness, as if all
sensations announce
Our experience at the boundary of terrible heavens.

The weight of attachment seems suspended
At the lychgate of the rend, where lamed
Inclinations associate with shadow.

Somewhere, clandestinely, the ghost of the limb
continues its actions
As if empty air were a transubstantiation of passion.

Or as we imagine terror erupts from a grey
And diffident sea of infinites like the mien
of a dreaded friend,
Since the terror has been forever standing by,
Tantalised by the good reign coming

Lines of Melanie Challenger's poetry installed on the walls of Highland Hospice
Melanie Challenger's poem Suilven installed on a tall wall at Highland Hospice

Words from others

I have not seen poetry of the eminence of Galatea brought forth by anyone so young as Melanie Challenger.

Her language is rich, dense, mosaiced — a post-feminist H.D. A very exciting debut.

The ravishing intensity of Challenger’s language makes this book so intriguing.